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Both of these Baccara recordings have become iconic. They were the first female duo to reach number one in the UK, and had the only number one by a Spanish artist in the UK until Julio Iglesias, four years later. However high sales, particularly in Denmark, Sweden and Belgium, meant that the single was a commercial success. However, there remained a demand for Baccara's music, particularly on the European television circuit, and by the end of the decade both Mateos and Mendiola had formed their own versions of Baccara with new singing partners. Both have also made re-recordings of their hits for various minor record labels, which are regularly re-packaged and re-issued under the original name, occasionally with photos of the original duo, Mateos and Mendiola, on the album covers. Mendiola's case was that the song should not have been released as a Baccara recording when it amounted to a Mateos solo. As a result of the dispute, relationships between all parties involved were damaged. Most of Baccara's recordings were sung in English although they did also record in Spanish, German and French. Late that year the duo released the single "The Devil Sent You to Laredo" with "Somewhere in Paradise" as its B side. Achieving little success as solo artists, the two formed duos of their own: separate incarnations of the original Baccara appeared during the middle of the decade, with Mendiola fronting New Baccara and Mateos keeping the duo's original name. Marisa Perez left the Band shortly afterwards and Maria Mendiola has been performing with Cristina Sevilla since then Details of the ways in which this milestone will be celebrated will be shared soon. While there she met fellow performer María Mendiola. Soja's song arrangements generally used Mateos as the lead singer while Mendiola contributed backing and refrains.

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Later that year a self-titled album, written and produced by Soja and Dostal, was released. The artwork for the single's cover appears to have remained unchanged.

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There Mendiola met a fellow guest who she subsequently married and with whom she had two sons. Towards the end of the decade New Baccara was renamed back to , and releases continued, although the group did not chart as their output was directed towards the club scene with singles pressed in strictly limited quantities. Mayte Mateos graduated as a teacher from the Royal Spanish Academy for Arts, Drama and Dance in Madrid and then joined Spanish Television's Ballet Company. "Call Me Up", "Fantasy Boy" and "Touch Me" were produced by Luis Rodríguez, and were big club hits across Europe. Despite a series of name and line-up changes, both Baccara duos continue to perform around Europe and have released new albums.

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top russian girl names. Their first television appearance was on the Palmarés light entertainment programme and they were engaged at a nightclub in the Aragon city of Zaragoza, but their contract was cancelled when the club manager decided that they were "too elegant" for the style of show. Although appreciated by Baccara fans, sales of the album were disappointing. Mateos' current singing partner is once again fellow Spaniard Paloma Blanco. Here they found that there was an audience for the performance of traditional Spanish music and dance in a form that was adapted to suit international tastes. Mateos and Mendiola relocated to the Canary Islands in search of work. Mateos and Mendiola were retitled , after the name of the black rose, in reference to the women's dark Spanish appearance. Pérez was followed by a succession of partners including Ángela Muro, Sole García, Jane Comerford, Carmen, Cristina Sevilla, Paloma Blanco, Isabel Patton, Romy Abradelo, Rose, Francesca Rodrigues and María Marín. Both principals have subsequently had prolonged but separate legacy careers based on nostalgia and their earlier fame. The duo made regular television appearances, becoming weekly guests on Sacha Distel's show in the UK, and on in Germany.

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One consequence of this was that Soja and Dostal were not involved with Baccara's final album. After the split, Mateos and Mendiola never performed together again. One music critic suggested that the Baccara formula lacked artistic depth but had been "mined for all it was worth" over two years until public interest moved on to other things. unhappy marriage. The same critic also drew attention to an element of "anti-feminist subservience" in the lyrics of some Baccara songs.

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Neither the album nor its spin-off single "Colorado" were successful. Although having no new hits to their name, Mateos' Baccara have remained in demand for television and live performances, performing the band's extensive back catalogue - versions of which have been released as compilations - as well as up-tempo interpretations of traditional Spanish songs. The duo recorded with Bruce Baxter and Graham Sacher in the UK. A follow-up single, "Sorry, I'm a Lady", was also an international hit, peaking at the top of the charts in Germany, the Netherlands and Belgium and reaching the top ten in the UK, Sweden and Switzerland. Initially the duo's act was simply that of variety show dancers. It was agreed that until Perez recovered, her place at Baccara live performances would be taken by Mendiola's niece Laura Mendiola. Mendiola complained that her voice was not given sufficient prominence in the song's arrangement and sued for breach of contract. This is offered annually to "celebrities whose abilities have impressed, moved and enthused the people in Germany". He developed their stage performance and recruited their instrumental support. Mateos' Baccara has released few new recordings, but has remained in demand for television and live appearances in countries such as Spain and Germany where the original Baccara developed a loyal fan base, performing the duo's back-catalogue and modernised versions of traditional Spanish songs. A full-length studio album recorded in Sweden, Soy tu Venus, followed

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